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Constructs and Percepts
Gestures Costumes and Properties
8 other sections not shown
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience baroque becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge derives Desdemona difference dramaturgical echoes Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford Freevill genre gesture Hamlet handkerchief Harbage hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented Ismenus Jonson Killed with Kindness kinetic exposition King King Lear language Lear Leontes lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights plot Polixenes popular adaptations prose fiction sources Renaissance romantic love scene seems sense sexual Shakespeare Shakespearean Tragedy Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate wife Winter's Tale Woman Killed words