Signs and Meaning in the Cinema

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Indiana University Press, 1972 - Performing Arts - 175 pages
2 Reviews
"This new and enlarged edition of Peter Wollen's influential and higly regarded work explores the way in which new approaches to the cinema can be combined with a new approach to aesthetics. Divided into three sections, Part One deals with the work of S.M. Eisenstein, both as a director and theorist of his art. Part two concerns the auteur theory and investigates the recurrence of themes and images throughout a director's career. Part three shows how the study of cinema can be considered a province of the general study of signs. Throughout this richly illustrated book the relationship of the cinema to the other arts is kept constantly before the reader. This new edition includes a retrospective chapter by the author.
  

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vivek

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I will advice you for a concrete analysis of the text to visit the English and Literary Studies department website of the University of Nigeria, Nsukka, http://www.art.unn.edu.ng/

Contents

Marlene Dietrich frontispiece
19
The auteur theory
74
The semiology of the cinema
116
Conclusion 1972
155
Booklist
174
Copyright

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Television Culture
John Fiske
No preview available - 2002
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About the author (1972)

Peter Wollen was Chair of the Department of Film, Television and New Media at the University of California, Los Angeles. His other books include Paris/Hollywood: Writings on Film and Paris/Manhattan: Writings on Art.

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