American Impressionism, Issue 15577Lenders to the exhibition -- Foreword -- In context -- An alternate aesthetic of light -- Landscape and light in American painting of the 1880s -- Impressionism in America: its reception and terminology -- The role of Whistler and the impact of pastel -- John Singer Sargent and the beginning of impressionist painting in America -- Mary Cassatt and Cecilia Beaux -- Theodore Robinson -- Childe Hassam -- John Henry Twachtman -- J. Alden Weir -- Other impressionists and "The ten" -- Impressionists of the decorative figure -- Boston and Pennsylvania impressionists -- Regional impressionism -- Impressionism and early 20th-century movements in American art -- Conclusion: Impressionism at the expositions -- Catalogue of the exhibition. |
Contents
Lenders to the Exhibition | 4 |
An Alternate Aesthetic of Light | 17 |
Its Reception and Terminology | 27 |
Copyright | |
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19th century Académie Julian admired Alden Weir American Art American Artists American Impressionism American Impressionist American Painters Art Amateur Art Gallery Art Museum Art Students Barbizon became Benson Boston Bunker catalogue Charles Chicago Childe Hassam Claude Monet collectors concern contemporary critics decorative Degas depicted Dewing Durand-Ruel Duveneck earlier early emphasized Ernest Lawson essay exhibition figure paintings finest France Frank French Impressionist Frieseke Garland Gérôme Giverny Glackens Henry Impressionist aesthetic Impressionist painting Indiana Indianapolis influence International Studio John Twachtman landscape painting later major manner Mary Cassatt Maurice Prendergast Modern Art movement Munich mural Museum of Art n.d. Oil National nude Oil on canvas outdoor Paris pastel Pennsylvania Academy portrait returned Sargent scenes School significant Society of American Steele summer sunlight Tarbell Ten American Painters Terra Collection Theodore Robinson tonal Tonalist Venice watercolors Weir's Whistler William Merritt Chase women York City young