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Two The Intellectual Milieu of the Art Film
Decoding the Modernist
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abstract acceptance action actors allegory American Antonioni appears Aristotelian Aristotle art film art film directors artist audience Bergman's camera chapter character Claudia commercial conventions critical dance Daumier Dennis Hopper diegesis Doctoral Dissertation Dolce Vita drama Easy Rider elements fantasies Federico Federico Fellini Fellini film directors film-maker foregrounding formal reflexivity Harry hero Hollywood Hopper identify images Indians intellectual culture interpolations interpretation Iverson Jancso's Jean-Luc Godard Jenny Kansas Last Movie little Guido Luisa Maria Marianne's meaning Michaelangelo Antonioni Mickey Mickey's modern myth modernist narrative modernist perception modes Monica Vitti motion picture multiple diegesis narrative cinema narrative feature Night Moves open texture parody Penn Penn's personal films Peter Wollen Pierrot le fou play plot point-of-view political popular culture popular genre popular narrative problems protagonist quotation reality Red Psalm relationship role self-appropriation sequence shot social standpoint story structure Thalberg themes traditional narrative trans truth western Xanadu Club York Zabriskie Point