Hindusthāni Music: An Outline of Its Physics and Aesthetics |
Contents
CHAPTER | 1 |
The Nature and Limitations of | 25 |
The Evolution of the Musical Scale | 36 |
6 other sections not shown
Common terms and phrases
accompaniment æsthetic Alapas ancient artistic Bharata C₁ character chords chosen classical music combination notes consonant note consonant or dissonant Dhrupada difference notes drone employed F₁ Folk music folk-music folk-songs form of musical Fourth fundamental note further G-type G₁ Gamakas Gāndhāra give given glide Harmonic Third hence Indian music instruments interval Jātis Kālidāsa Khyal laws Matanga Mātrā means melody metres Minor Third mood music notation musical sound nature Octave Odd lines Pandit Bhatkhande particular performer pitch poetic theme poetry practice prime note principle prominence Raga Raga-scale Raga-system Rāgas Rasas recitation relationship rhythm rhythmic Sangita Sarngadeva simple song speech Śrutis Suddha scale sung syllables system of music Tambura Tānas tetrachords Thumri time-measure tion tonality tone tonic note tuning Unity of Indian Vādi variations Vedic chant vocal voice vowel ग ग ग रे सा गरे ग्ग नि नि रां रे सा रे सारे सासा