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African music Afro-American Folksongs Allen American negroes Antilles arrangement Arthur Mees artistic Bahama beautiful black slaves broad spears Cable called century chant characteristic Charles Parish chorus collection Colonel Higginson composer Counjai creole songs Dahomans dance Devil drum elements Emgann fact flat seventh folksongs French French West Indies gwine Habanera harmony heard Hearn Henry Holden Huss hymns idioms imitations influence Lafcadio Lafcadio Hearn language lay dis body leading-tone Loema Louisiana macaya major Marie-sans-dent Martinique master minor scale Miss McKim mo oule moin music of China musicians negro songs origin ouende oule rire patois peculiar pentatonic pentatonic scale phrase Plantation Songs popular primitive printed pronoun quadroon relic religious rhythm rhythmical roll sang satire says scientific shout singers singing sixth Slave Songs slavery sound sung tones tune utterance Verney Lovett Cameron voice Wallaschek West Indies Words and melody wrote yearde from heaven
Page 159 - Then came the officers to the chief priests and Pharisees; and they said unto them, Why have ye not brought him? 46 The officers answered, Never man spake like this man.
Page 28 - Actively we have woven ourselves with the very warp and woof of this nation, — we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse.
Page 153 - It is a proper question to ask, What songs, then, belong to the American and appeal more strikingly to him than any others? What melody would stop him on the street if he were in a strange land, and make the home feeling well up within him, no matter how hardened he might be, or how wretchedly the tune were played?
Page 28 - If somewhere in this whirl and chaos of things there dwells Eternal Good, pitiful yet masterful, then anon in His good time America shall rend the Veil and the prisoned shall go free. Free, free as the sunshine trickling down the morning into these high windows of mine, free as yonder fresh young voices welling up to me from the caverns of brick and mortar below — swelling with song, instinct with life, tremulous treble and darkening bass.
Page 2 - Folksong is not popular song hi the sense in which the word is most frequently used, but the song of the folk; not only the song admired of the people but, in a strict sense, the song created by the people. It is a body of poetry and music which has come into existence without the influence of conscious art, as a spontaneous utterance, filled with characteristic expression of the feelings of a people.
Page 33 - The foot is hardly taken from the floor, and the progression is mainly due to a jerking, hitching motion, which agitates the entire shouter and soon brings out streams of perspiration. Sometimes they dance silently, sometimes as they shuffle they sing the chorus of the spiritual, and sometimes the song itself is also sung by the dancers. But more frequently a band composed of some of the best singers and of tired shouters stand at the side of the room to "base" the others, singing the body of the...
Page 109 - Never, it seems to me, since man first lived and suffered, was his infinite longing for peace uttered more plaintively than in that line.
Page 23 - I always wondered, about these, whether they had always a conscious and definite origin in some leading mind, or whether they grew by gradual accretion, in an almost unconscious way. On this point I could get no information, though I asked many questions, until at last, one day when I was being rowed across from Beaufort to Ladies' Island, I found myself, with delight, on the actual trail of a song. One of the oarsmen, a brisk young fellow, not a soldier, on being asked for his theory of the matter,...
Page 25 - ... attracted a crowd round them before he could be dragged away : he related his melancholy story, and the singular manner in which he had recovered his life and liberty ; and the public indignation was so forcibly excited by the shocking tale, that Mr. Bedward was glad to save himself from being torn to pieces by a precipitate retreat from Kingston, and never ventured to advance his claim to the negro a second time.
From Google Scholar
Samuel A Floyd Jr - 1991 - Black Music Research Journal
Samuel A Floyd Jr, Marsha J Reisser - 1984 - Black Music Research Journal
Guthrie P Ramsey Jr - 1996 - Black Music Research Journal
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Shane Bernard, Julia Girouard - 1992 - Journal of Folklore Research
Afro-American Folksongs: A Study in Racial and National Music by ...
THE POETICS OF NATIONAL AND RACIAL IDENTITY IN NINETEENTH-CENTURY ...
JSTOR: The Voice of the Folk: Folklore and American Literary Theory
II. The Genre “Negro Spiritual”
Sweet Chariot: the story of the spirituals
The use of dialect in African-American spirituals, popular songs ...
American Anthropologist aa 0002-7294 George Banta Publishing ...
SLAVERY AND FREEDOM