The flesh made text made flesh: cultural and theoretical returns to the body
The essays in The Flesh Made Text Made Flesh explore the complexities of modern and post-modern embodiment by drawing attention to a marked tendency in contemporary theory and cultural practice to «return to flesh and redefine its limits, meanings, and potentialities. Engaging with issues as diverse as technologized performance, cosmetic surgery, and lifestyle TV, the essays in this collection raise crucial questions and open up new horizons for further research in current debates surrounding enfleshment. The cross-disciplinarity of this book, which can be used in undergraduate and post-graduate teaching, will attract the attention of scholars from a diversity of fields, such as literature, sociology, popular culture, art, theater, and film.
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Sex and Gender in Cyberspace
Rethinking Cruelty and Representation
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Aboah aesthetic surgery African African-American Afro-German women Alcibiades anatomists Anatomy appear argues Aristotle Artaud artistic audience Audre Lorde avatar Ayim Bacchae Barbie beauty become Bedouin bodily Burkina Faso camera century Cindy Jackson contemporary corporeal cosmetic surgery cultural dance desire diarists diary Dionysus Diotima discourses dissection Elaine Scarry's embodiment English Patient environment eros essay ethnic example experience explore Fanon female flesh gender German glamour Greek Halperin identity images interactive intercultural Johannes Birringer lifestyle television logos London makeover male mask metaphor minstrel shows nose on-line Orlan pain participants performance Philoctetes philosopher physical Plato's political postmodern practices procedures production race racial representation rhizomatic rhythm Routledge Scarry sexual Showing our Colors skin social Socrates Sophocles space stage stereotypes surgeon Symposium technologies theater Theodoros Terzopoulos theory Thessaloniki tion Trans transformation ugly Western woman workshop X-files York