Indiana Jones and the Kingdom of the Crystal Skull

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Dark Horse Comics, May 22, 2008 - Juvenile Fiction - 96 pages
6 Reviews
The intrepid Doctor Henry Jones Jr. is back in his biggest adventure yet! This time, the world-renowned archeologist finds himself caught in a series of events that all point to a discovery unlike any other. But will his rivals in pursuit of this priceless treasure seize his quarry from right under his nose? Not if he, and a few unexpected companions, have anything to say about it! The thrill and the humor, the action and the romance, the hat and the whip - everything you love about Indy is here: this is a tale sure to please long time fans as well as foster a whole generation of new ones!

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Review: Indiana Jones and the Kingdom of the Crystal Skull Comic Adaptation

User Review  - Andrew Ralton - Goodreads

Brilliant artwork, and the story rattles along at a good pace. Enjoyed this one. Read full review

Review: Indiana Jones and the Kingdom of the Crystal Skull Comic Adaptation

User Review  - Susan - Goodreads

Short and sweet. Perfect to read when I can't seem to concentrate on reading two paragraphs in a row these days. The illustrations were very well done and I overall enjoyed this comic/graphic story. Read full review

Contents

Section 1
Section 2
Section 3
Copyright

8 other sections not shown

About the author (2008)

As a graduate of the prestigious Cinema Studies program of the University of Southern California, George Lucas represents the movie-educated generation of American filmmakers, which emerged in the 1970's, including Francis Ford Coppola, Steven Spielberg, Martin Scorsese, and Brian DePalma. Lucas's award-winning 20-minute student science fiction film, "THX-1138," and a student fellowship to work with Coppola, launched a career of unprecedented financial success. Backed by Coppola, he made a feature-length version of "THX-1138" (1971), then gained wide recognition with the release of "American Graffiti" (1973), a look at high school in 1962 whose rock-and-roll soundtrack set off a wave of 1950's nostalgia. Made for $750,000, "American Graffiti" grossed nearly $50 million. However, Lucas's next feature dwarfed this success. "Star Wars" (1977) broke all box-office records and defined the basic terms of Lucas's legacy: spectacular technical effects and a comic-book sense of adventure. With the profits from Star Wars and the massive merchandising campaign around it, Lucas built Skywalker Ranch in Marin County, California, home to Industrial Light and Magic, the premier special-effects laboratory in the world. Lucas wrote the scenarios for the "Star Wars" sequels, "The Empire Strikes Back" (1980) and "Return of the Jedi" (1983), and later for the "Indiana Jones" films, but he handed over directing to others, as he had sworn he would after completing Star Wars. In renouncing the director's role, the ultimate gesture of the anti-auteurauteur, Lucas exemplifies Hollywood since the late 1970's, which has focused on high-concept formulas with pyrotechnic displays of special effects, a sure-fire recipe for commercial success.

John Jackson Miller, editorial director for Krause Publications' comics & games division, is also the current writer of Marvel Comics' acclaimed Iron Man comic book series. Maggie Thompson, editor of "Comics Buyer's Guide, is one of the founders of comics fandom. She is a long-time, widely quoted expert. Brent Frankenhoff managing editor of "Comics Buyer's Guide, has collected comics for more than 30 years to build a collection that spans more than 60 years of comics. "Peter Bickford is the creator of the most comprehensive and critically acclaimed software for comics collectors, ComicBase.

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