The Actor at WorkFocusing on the underlying principles of the acting process, this volume continues to present an experiential sequence of exercises designed to help students develop a thorough understanding of the physical, vocal, analytical and ethical aspects of the actor's art. This accessible revision begins by concentrating on the preparation of body and voice in Part I. Part II then examines the concept of action, and Part III concludes by focusing on development of character in the rehearsal process. |
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Page 40
... muscles that produce the voice are so complex and far reaching that they ultimately involve the entire body . We said in Lesson 4 that your natural impulse is to externalize your feelings and that these externalizations are part and ...
... muscles that produce the voice are so complex and far reaching that they ultimately involve the entire body . We said in Lesson 4 that your natural impulse is to externalize your feelings and that these externalizations are part and ...
Page 46
... muscles that evolved originally for other , more basic activities : the network of muscles that produce the voice begin deep within the body , and are central to our emotional life as well . The arousal of these deep muscles in the act ...
... muscles that evolved originally for other , more basic activities : the network of muscles that produce the voice begin deep within the body , and are central to our emotional life as well . The arousal of these deep muscles in the act ...
Page 211
... muscles actually participate . Here is an exercise in the technique called Visuo - Motor Behavior Rehearsal , which was first developed for the 1980 Winter Olympics , and used by athletes like Jean - Claude Killy with great ...
... muscles actually participate . Here is an exercise in the technique called Visuo - Motor Behavior Rehearsal , which was first developed for the 1980 Winter Olympics , and used by athletes like Jean - Claude Killy with great ...
Contents
Preparing Yourself | 1 |
The Creative State | 9 |
Centering and Moving | 17 |
Copyright | |
22 other sections not shown
Common terms and phrases
acting process alignment Amanda Arthur Miller artistic attitude audience audition August Strindberg automatic awareness beat change become begin behavior Behavior Rehearsal blocking bodily body breath camera character character's actions choice commitment Constantin Stanislavski create creative crisis David Mamet develop director dramatic function dual consciousness emotion Erving Goffman everyday example Exercise experience explore express fear of failure feel fellow actors focus gestures Glass Menagerie Howard idea important impulse inner Laura Lesson lives look Mamet meaning Moscow Art Theatre Moshe Feldenkrais move movement muscles natural partner performance person physical play playwright psychological qualities relationship relaxation Remember response rhythm rience role Salesman scene objective sense sequence shape situation skills social someone sound speak specific speech stage Streetcar Named Desire subtext superobjective technique tension thing thought through-line tion traits turn vocal voice Willy Loman Willy's words York Zoo Story