Collaborative Form: Studies in the Relations of the Arts (Google eBook)
Collaborative form attempts to show the nature and limits of works of art that are made up of two or more artistic forms. The first task of this book is to analyze and interpret a set of combinations. Each chapter treats one collaborative work and attempts to show that the principles of collaboration are the same, whether the components are poetry and graphic works as in Lettera Ambrosa by Rene Char and Georges Braque, poetry and music as in Herzgewachse by Maurice Maeterlinck and Arnold Schoenberg, or more complex sets that include painting, music, dance, lighting, and drama as in Der gelbe Klang by Wassily Kandinsky, Morder, Hoffnung der Frauen by Oskar Kokoschka, and Triad by Alwin Nikolais.
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abstract almanac Alwin Nikolais aphorism appear Arnold Schoenberg art form artists audience Biihnenkomposition Bild Blaue Reiter Braque's Cezanne Char's choreography collaborative form color combining the arts complete composed context conventions create critical cubism Dance Theater dancers Der Blaue Reiter Der gelbe Klang Der Sturm drama effects elements essay example experience figures fragment Franz Marc gelbe Klang Georges Braque Gesamtkunstwerk Hartmann Herzgewachse Hoffnung der Frauen ideal ideas illustration inner interaction Joan Miro Kandinsky's Kunst Lettera amorosa light lithograph Marc's ment Miro Miro's Morder motifs movement Munich Nikolais Nikolais's opera original Oskar Kokoschka painter painting parallel performance Picasso picture play poem poet poetry props reader relation Rene Char reproductions sante du serpent Schoenberg score sense signes song space spiritual stage composition Sturm subsequent suggests symbolic synthesis themes theory tion translation from TBRA Triad Uber das Geistige Universal Edition viewer Wagner Wassily Kandinsky yellow giants
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