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F ATTACHING THE CANVAS TO THE STRETCHER
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acrylic paint Acryloid B-72 adhesive applied artists attached barium barium sulfate brace bristle brush Cadmium camera cardboard Chapter clean coat cobalt linoleate color conservation corners crate dammar dammar varnish diluent Disadvantages dissolve dried drying oil edge emulsion exide face ferrule Figure filters final varnish flat frame gelatin gesso glass glaze grinding ground gum turpentine impasto inches inert material ingredient in painting inpainting Kodak lamps lens light linen linseed oil manufactured Masonite metal mineral spirits mixed nish Oggg oil paint ounces oxide paint film paint layer PAINTING KNIVES painting mediums painting support paper photograph pigment plywood Polyvinyl Acetate Q-tip rabbitskin glue remove resin resinous varnishes sable screws SCUMBLING shape side sizes solution solvent staple STEP storage strainer stretcher bars studio support fabric surface accretion synthetic tack techniques thin tion transgrent transparent Trgsgrent Varsol vielet wax/resin weave white lead yellow