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DEFINITION AND THEORY
THE HISTORICAL BACKGROUND
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abstract action actor Adolphe Appia architectural stage artists audience auditorium background built canvas century color conception construction Constructivist contemporary Copeau courtesy Craig and Appia curtain deco developed drama drawing effect elements Elizabethan Emil Pirchan emotion Ernst Stern Expressionism Expressionistic flat formal stage Georg Fuchs Gordon Craig Greek Heinz Herald ideas illustrations imitation Inigo Jones Joseph Urban Kamerny Theatre later Lee Simonson light Louis Jouvet machinery methods modern modernist Moscow Art Theatre movement naked stage nature Norman-Bel Geddes Opera Opposite plate painted perspective painter Paris permanent stage photograph by Francis picture setting plastic platform for acting playhouse playing space practice production progress proscenium frame proscenium opening realistic Reinhardt revolving stage Robert Edmond Jones scenery scenic screens sculptural sense simplified sketch sort space stage spectator stage decoration stage setting stage wall stagecraft stylization suggestion theatrical theory thing tion to-day typical utilized values vistas visual wagon wings York