Theories of Art: From Winckelmann to Baudelaire, Volume 2
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
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The Early Eighteenth Century
Beginnings of the New Age 8 9
Unity and Diversity in the Visual Arts
Merging the Arts
The Symbolic Landscape
The Great Masters
aesthetic thought Aesthetik allegory ancient art criticism art form art theory artist attitude Bachofen Baudelaire Baudelaire's beauty believed Caspar David Friedrich Champfleury character Charles Baudelaire classical color concept concerned context creative Creuzer culture Delacroix Diderot discussion divine doctrine Dubos eighteenth century emotions Essay experience expression figure Friedrich genres Gerard de Lairesse Greek art Hegel Herder human ideal ideas imagination imitation individual intellectual landscape painting Laocoon Lessing's literary literature M. H. Abrams means Mengs metaphor Michelangelo mind modem modern nature Neoplatonic nineteenth century notion object original painter painting and sculpture particularly passions perceive philosophical pictorial picture poet poetry precisely present problem reader realism reality reflection Renaissance represented reprinted Roger de Piles Romantic Romanticism says sculpture sense Shaftesbury shape significance Solger soul specific spectator spirit style subject matter sublime symbol term theme theory of art tion tradition translation trend Vico views visual arts Wackenroder Winckelmann writings