Commonplace and creativity: the role of formulaic diction úr in Anglo-Scottish traditional balladry
International Specialized Book Service Incorporated, Jan 1, 1985 - Literary Criticism - 404 pages
As the first book of its kind Commonplace and Creativity offers a comprehensive study of the formulaic narrative technique in the traditional ballads of England and Scotland. It outlines a new concept of the ballad formula and presents a new assessment of how formulas function in context. The author analyses more than 2.000 formula lines and stanzas, and emphasizing the distinctly dramatic, 'supra-narrative' potential of the coventional ballad language he demonstrates that singers may use formulas discriminatingly to produce their 'own' versions of the ballads. Formulas can be characterized in terms of both stability and variation, and consequently they are an important vehicle for the traditional re-creativity and gradual re-interpretation which are so vital for the life of the ballad tradition.
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THE DEFINITION OF THE FORMULA 1 The OralFormulaic View and Its Application
Michael Nagler and Paul Kiparsky
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Annet Annie appears arrives asks Baby Livingston ballad formulas ballad story ballad tradition balladerne Beichan Bonny Baby Livingston bonny boy bower bride Bronson Buchan Child Maurice Child Waters context Dainty Doon daughter death dramatic Earl Brand Earl Crawford Eleanor employed English eventually expressions father Fause Foodrage following ballads formlernes formula family formulaic diction goes HADNA Hind Etin Holzapfel horse formula hurries Janet Jeannie Robertson Johnie Scot Johnie's killed kilts king King Estmere king's knee knight Lady Barnard Lady Maisry Laird Oh letter Little Musgrave Lizzie Higgins look Lord Thomas lover Margaret marry Mary messenger-boy mother mula narrative idea Oh the Dainty oral overtones phrases present private tape queen repetition Robin saddle Scottish singers singing songs Stanley Robertson stanza structure stylistic supra-narrative function takes tion traditional balladry true-love turns round typically versions wedding wife William Willie Young Beichan young girl