West of Everything : The Inner Life of Westerns: The Inner Life of Westerns (Google eBook)

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Oxford University Press, Mar 26, 1992 - Performing Arts - 264 pages
4 Reviews
A leading figure in the debate over the literary canon, Jane Tompkins was one of the first to point to the ongoing relevance of popular women's fiction in the 19th century, long overlooked or scorned by literary critics. Now, in West of Everything, Tompkins shows how popular novels and films of the American west have shaped the emotional lives of people in our time. Into this world full of violence and manly courage, the world of John Wayne and Louis L'Amour, Tompkins takes her readers, letting them feel what the hero feels, endure what he endures. Writing with sympathy, insight, and respect, she probes the main elements of the Western--its preoccupation with death, its barren landscapes, galloping horses, hard-bitten men and marginalized women--revealing the view of reality and code of behavior these features contain. She considers the Western hero's attraction to pain, his fear of women and language, his desire to dominate the environment--and to merge with it. In fact, Tompkins argues, for better or worse Westerns have taught us all--men especially--how to behave. It was as a reaction against popular women's novels and women's invasion of the public sphere that Westerns originated, Tompkins maintains. With Westerns, men were reclaiming cultural territory, countering the inwardness, spirituality, and domesticity of the sentimental writers, with a rough and tumble, secular, man-centered world. Tompkins brings these insights to bear in considering film classics such as Red River and Lonely Are the Brave, and novels such as Louis L'Amour's Last of the Breed and Owen Wister's The Virginian. In one of the most moving chapters (chosen for Best American Essays of 1991), Ttompkins shows how the life of Buffalo Bill Cody, killer of Native Americans and charismatic star of the Wild West show, evokes the contradictory feelings which the Western typically elicits--horror and fascination with violence, but also love and respect for the romantic ideal of the cowboy. Whether interpreting a photograph of John Wayne of meditating on the slaughter of cattle, Jane Tompkins writes with humor, compassion, and a provocative intellect. Her book will appeak to many Americans who read or watch Westerns, and to all those interested in a serious approach to popular culture.
  

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Review: West of Everything: The Inner Life of Westerns

User Review  - Megan - Goodreads

Very interesting, nice layout of topics. Read full review

Review: West of Everything: The Inner Life of Westerns

User Review  - Jeremy - Goodreads

Alan Jacobs says that this is the best book on American studies. Read full review

Contents

Introduction
3
Death
23
Women and the Language of Men
47
Landscape
69
Horses
89
Cattle
111
A Reckoning
125
Wisters Mother
131
Writing the Purple Sage
157
At the Buffalo Bill Museum June 1988
179
Homage to Louis LAmour
205
Two Men
221
Fighting Words
227
Works Cited
235
Copyright

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About the author (1992)

Jane Tompkins is Professor of English at Duke University. She is author of Sensational Designs and the editor of Reader Response Criticism.

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