Shakespeare's Legacy: The Appropriation of the Plays in Post-colonial DramaNorbert Schaffeld |
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According actors adaptation appears approach appropriation audience Australian authority become British called Canada Canadian Caribbean cast century characters Chinese classical colonial Company contemporary context critical cultural dance David directed director discussion drama Dream English essay example experience finally Gesta Danorum give Graft Hamlet Indian interest interview issues John Juliet Julius Caesar King Lear language later literature London look Macbeth Males Maori meaning Michael nature Night's Othello performance playwright political post-colonial practice present Press production reading reference response Review rewriting Richard role Romeo Rose scene Sears seen Shake Shakespeare Shakespeare's plays society South African stage story Studies taken Tempest theatre theatrical tion Toronto tradition translated University Venice Walcott West Western women writing Zealand