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Expressionist and Formalist Solutions
B The Artist the Art Object and
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according aesthetic appreciation aesthetic perception analysis anthropomorphize appeal appre appreciation of musical appreciator recognizes appreciator's argues artist behavior belief bodily Budd composer's conventions creative culture determine Eduard Hanslick emotive description Erlking Erwin Panofsky estate house evokes example experiences the music experiencing expres Expression Theory Expressionist and Formalist expressive features expressive qualities features and structure formalist positions Formalist Solutions gestures Gombrich hear music hear the music human emotional manifestations human expression humanistic music criticism imaginative individual integrated theory involves Joseph Kerman Kivy's maintains Malcolm Budd meaning melody model of aesthetic model of emotion moods and emotions musical artwork musical expressiveness musical features musical sounds musical system Neapolitan chord ordinary perception painting particular emotion perceive person phenomenological feeling real emotion references will appear representation resemblance between musical schemata Schenkerian analysis Scruton situation specific emotion Strong Formalist Subsequent references suggest theory of musical tion trompe l'oeil understanding and appreciation viewpoint Weak Formalists Wivenhoe Park