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Patronage and Public Piety
Conjugal Love Political Ambition or Personal Glory?
The Art and Antiquities Collections of Isabella dEste Gonzaga 14741539
The Chapel of Eleonora da Toledo in the Palazzo Vecchio
Catherine de Medici Defining Herself or Defined by Others?
Gender and the Meaning of Style in Early Modern England
Maria de Medicis Patronage of Art and Architecture
Women as Convent Patrons in Seicento Rome
Sarah Churchill and the Invention of the Blenheim Memorials
An Art Collector in EighteenthCentury Paris
Anna Maria Luisa de Medici and the Family Pact of 1737
Mary Edwards William Hogarth and a Case of EighteenthCentury British Patronage
List of Contributors
altarpiece Anna Maria Luisa antique architecture Archivio Artemisia artistic Barbagallo Barberini Baudouin-Matuszek Bertucci Bess of Hardwick Blenheim Borghese Bronzino Brou Camilla Virginia Catherine century Charles church Churchill collection collectors commissioned comtesse de Verrue contemporary convent Cosimo court Cox-Rearick cultural death decoration depicting duchess duke early modern period effigies eighteenth-century essay Family Pact female patrons figures Flemish Florence France Francesco French fresco gender Giovanni Gonzaga Hardwick Henri Hogarth Houel husband Ibid iconography Isabella d'Este Jeanne d'Evreux Lady Anne Clifford London Louis Louvre Luxembourg Palace male Mantua Margaret of Austria Marie de Medicis Marlborough marriage Marrow Mary Edwards MCSRC medieval monument noblewomen Orsini paintings Palazzo Vecchio Paris patronage Peter Paul Rubens Philibert political portrait queen mother Regina Coeli religious Renaissance role Rome royal Rubens Rubens's Saint Saint Paula Saint-Denis Sarah sculpture seventeenth-century spiritual status style tomb traditional Verrue's Virgin Watteau wife woman
The Medici Women: Gender and Power in Renaissance Florence
No preview available - 2003
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