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From Musical Ideas to Computers and Back
Weberns Use of Motive in the Piano Variations
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algorithm analysis analyzed Bartok Beethoven catalog cent change ringing chord types clef cluster columns composer computer music computer word contains contents Correlogram current note Data Base described deviation digits dissonances duration electronic Electronic Music encoded entry example excerpts executed Experimental Music Figure Ford-Columbia FORTRAN frequency function given HARFAC harmonic Haydn Illiac immediately incipits input instruction instruments integers inversion keypunched located lyne numbered machine major measure numbered measurement vectors melody methods minor third mnemonic movement Mozart musical composition notation octave Operation field output parameters patet patterns Pelog perfect fifth permutation Piano piece pitch classes pitch structures pitch-class distribution possible procedure representation represented rhythmic root interval score sequence Slendro Sonata sound statistical subroutine system attack-time Table tape techniques theory tion tonal transposition triad University variable field voice Webern weight vector word whose symbolic