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activities aesthetic architecture areas art and technology aspects audience audiovisual become Brasilia broadcast camera cassettes cinema Ciudad Guayana co-reality color comics computer art concept create creative effects electronic elements environment example existence experience extraterrestrial communities fact film grammar film object filmeme function Galantay Hong Kong Howard Wise HPSCHD human individual industrial John Cage logic machine macrotelevision mass media means medium ment morphemes MOVIE nature organization painting Paris pattern perception Peter Michael Hamel photograms photographic picture planning possible problem production radio reality recording relation relationship screen semiological sense shot social society socio-cultural sound space spatial specific static structure symbols tape techniques television tion trend University urban form video art video artists videocassette recorder videotape viewer visual culture Werner Kaegi York