On Not Being Able to PaintDiscusses the nature of creativity, the separation of artistic expression from real life, technique to release one's creative impulses, and a new approach to painting and drawing. |
Contents
THE EMERGENCE OF THE FREE DRAWINGS | 1 |
PART II | 33 |
PART III | 69 |
Copyright | |
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achieve action activity Angry Parrot Anna Freud appeared artist aspect attempt become believe capacity certainly chalk CHAPTER Charcoal Cleopatra's needle colour common sense conscious create creature disillusion dreams earth emerged Ernest Jones experience expression external reality external world fact fear feeling felt Follett free drawings Garden of Eden give green happened HAROLD SPEED Harold Walsby hate idea idealisation illusion imaginative body imposed impulses inner inside instance intellectual interplay John Donne JUAN GRIS kind Ladder to Painting living logical looking mean mind mood Mount of Olives nature one's oneself orgasm outer painter perhaps person picture plunge possible problem psychic creativity psycho-analytic realised recognise relation result rhythm scribble seemed separate Spanish Garden spontaneous ordering subject and object suggested surely Susanne Langer symbol theme things thinking Thomas Traherne thought transfiguration trying wanted whole