Shadows, Specters, Shards: Making History In Avant-Garde Film (Google eBook)

Front Cover
U of Minnesota Press, 2005 - 233 pages
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Avant-garde films are often dismissed as obscure or disconnected from the realities of social and political history. Jeffrey Skoller challenges this myth, arguing that avant-garde films more accurately display the complex interplay between past events and our experience of the present than conventional documentaries and historical films. Shadows, Specters, Shards examines a group of experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up historical events such as the Holocaust, Latin American independence struggles, and urban politics. Identifying a cinema of evocation rather than representation, these films call attention to the unrepresentable aspects of history that profoundly impact the experience of everyday life. Making use of the critical theories of Walter Benjamin and Gilles Deleuze, among others, Skoller analyzes various narrative strategies - allegory, sideshadowing, testimony, and multiple temporalities - that uncover competing perspectives and gaps in historical knowledge often ignored in conventional film. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Skoller reveals how a nuanced understanding of the past is inextricably linked to the artistry of image making and storytelling.
  

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Contents

Allegory as Historical Procedure
1
Historical Temporalities 1
39
Historical Temporalities 2
69
The Limits of Representing History
109
Filmmaking as Mourning Work
149
Notes on History and the Postcinema Condition
167
Notes
193
Bibliography
205
Filmography and Distributors
215
Copyright

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References to this book

First Person Jewish
Alisa Lebow
Limited preview - 2008

About the author (2005)

Filmmaker Jeffrey Skoller is associate professor of film, video, and new media at the School of the Art Institute of Chicago.  His visual works have been exhibited at the Whitney Museum of American Art, Arsenal Kino (Berlin), Latin American Film Festival (Havana), and National Film Theatre (London), among others, and his essays have appeared in DISCOURSE, New Art Examiner Afterimage, and Film Quarterly.

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