Madness, masks, and laughter: an essay on comedy
This work explores narrative and dramatic comedy as a laughter-inducing phenomenon. The theatrical metaphors of mask, appearance, and illusion function as structural linchpins, and previous theories of comedy as well as more general philosophical ideas, are discussed insofar as they shed light on this approach.
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Mask and Repetition
Mask and Acting
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actor aesthetic ambivalence appearance Aristophanes audience bawdy become Brighella carnival causality chap character cliche Clown cognitive comedy comic comic potential commedia commedia dell'arte concept context Don Quixote dramatic Estragon example fact Falstaff farce festive fiction fictive Figaro figure Finnegans Wake folly fool Frankfurt-am-Main Freud function grotesque happy ending hidden hiding histrionic human humor Ibid identity illusion inversion irony joke Kant language laugh laughter Lenny Bruce likewise Lysistrata madness Martin Amis master meaning metaphor metatheatrical mocked monomanic Montdory moral narrator nature nonsense norm normally Panurge paradox parody performance perspective play pleasure political potential puns Rabelais reader reality repetition Restoration comedy reversal role role-playing satire scene Schopenhauer self-deception semantic sense servant sexual slave social mask sort spectator structured superego takes theatre theatrical thing-in-itself things tion topsy-turvy tradition Tristram Shandy truth turn verbal Volpone Werke women wordplay words