Ideology and Classic American LiteratureSacvan Bercovitch, Myra Jehlen This volume of essays brings together some of the best work by Americanists concerned with the problem of ideology and its bearing upon American literature and culture. It projects neither a particular ideological view nor a particular view of ideology. On the contrary: these essays highlight the many uses of ideology as a critical term, and, in doing so, they open fresh avenues of inquiry and forums for discussion. They also demonstrate that, far from being parochial or reductive, ideological analysis is integral to considerations of formal structure and crucial to an understanding of the relations between literature and culture. Their essays deal variously with theoretical issues, with questions of theme, genre, and perspective, and with interpretations of particular authors and texts. The editors of the volume provide a general introduction to the nature and development of ideological critique, and an afterword that discusses the coherence of the volume as a whole and its implications for further study. |
Contents
Symbol and Idea in Virgin Land | 21 |
HENRY NASH SMITH བ 8 ན | 70 |
American Criticism Left and Right | 91 |
The Novel and the Middle Class in America | 125 |
Figurations for a New American Literary History | 145 |
ALAN TRACHTENBERG | 172 |
Reification and American Literature | 188 |
A Reading of Poes The | 221 |
Uncle Toms Cabin and the Politics | 267 |
Walden and the Curse of Trade | 293 |
Melvilles Economy of Language | 313 |
Art Religion and the Problem of Authority in Pierre | 337 |
Benito Cereno and | 352 |
Melville and Cultural Persuasion | 384 |
Afterword | 418 |
Selected Bibliography | 443 |
Common terms and phrases
Adams aesthetic Ahab Ahab's alienation American jeremiad American literature American Renaissance artist become Benito Cereno Bercovitch bourgeois character Civil classic Cold War concept conflict consciousness context contradiction criticism crowd culture Delano discourse dominant economic Emerson essay F. O. Matthiessen fact fiction figure Fredric Jameson Hawthorne Hawthorne's Herman Melville Hester human ideal ideas ideology imaginative individual interpretation Ishmael James jeremiad labor language Leo Marx Lukács Marx Marxist meaning Melville Melville's metaphor Moby-Dick mode modern moral myth narrative narrator narrator's nature nineteenth century novel pastoral persuasion Pierre Pierre's Poe's political production Puritan R. W. B. Lewis radical reader reading reality reified relation represents rhetoric Scarlet Letter scene self-reliance sense slave slavery social society Starbuck story Stowe's structure symbolic theory Thoreau tion tradition Uncle Tom's Cabin University Press Vassa Virgin Land vision Walden Whitman words writing York