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20th century Abbey Theatre acting action actors Aeschylus African-American American artists audience became began Brecht Broadway Bunraku ch'uan-ch'i characters Chinese Chinese Opera chorus classical comedy comic commedia commedia dell'arte concepts contemporary continued costumes create critics culture dance developed Dionysus director dominant drama dream effects Elizabethan emotional established Europe existence experience express famous Festival film focus focused French Greek human ideas images individual Joseph Papp Kabuki lives London major medieval modern Moliere moral Moscow Art Theatre movement musical musical theatre nature off-Broadway Opera painting performance period plays playwrights political popular present production realistic reality religious Renaissance role Roman scene scenery script seating Shakespeare social society Spalding Gray spectators stage story structure style successful techniques Theatre History Theatre Libre theatre structure theatrical traditional tragedy troupe University Press visual women writing wrote York young