Syncopations: The Stress of Innovation in Contemporary American Poetry
Makes a case for innovation as the generative and thematic force in American poetry of the late 20th century. Syncopations is an analysis of the sustaining vitality behind contemporary American poetry from 1975 to the present day by one of the most astute observers and critics in the field. The 12 essays reflect Jed Rasula's nearly 30 years of advocacy on behalf of "opening the field" of American poetry. From the Beats and the Black Mountain poets in the 1950s and 1960s to the impact of language poetry, the specter of an avant-garde has haunted the administrative centers of poetic conservatism. But the very concept of avant-garde is misleading, implying organized assault. Incentives for change can be traced to other factors, including the increased participation of women, critical theory's self-reflection, and a growing interest in the book as a unit of composition. Syncopations addresses these and other issues evident in the work of such poets and critics as Clayton Eshleman, Marjorie Perloff, Ronald Johnson, Clark Coolidge, Nathaniel Mackey, and Robin Blaser. Its chapters range in modes and include close readings, sociological analysis, philosophical-aesthetic meditations, and career appraisals. By examining both exemplary innovators and the social context in which innovation is either resisted, acclaimed, or taken for granted, Rasula delivers an important conceptual chronicle of the promise of American poetry. Jed Rasula is Helen S. Lanier Distinguished Professor of English at the University of Georgia and author of The American Poetry Wax Museum: Reality Effects, 1940-1990.
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Women Innovation and Improbable Evidence
The Grapes of Dysraphism
Handling the Fiction Nursing the Wounds
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aesthetic Alice Notley American poetry Andrews's Ann Lauterbach anthology Antin appear artistic Ashbery Ashbery's aspiration audience avant-garde Bakhtin Baudrillard become Blaser Bob Perelman body Bruce Andrews canon Charles Bernstein Clark Coolidge context Coolidge Coolidge's critical culture discourse dream Dysraphism edited epic Eshleman ethnopoetics etry experience figures fragment genre Goldbarth heteroglossia Holy Forest human imagination innovation interpretation issue Janus Jorie Graham language poetry Literacy Effects literal literary long poems Lyn Hejinian lyric Mann Mann's means medium ment Michael Palmer mind modernism modernist Name Encanyoned River noise normal channels novel Olson parataxis Perloff poetic poets prose published reader Robert Ron Silliman Rosmarie Waldrop Rothenberg selected poems semantic sense signify Silliman's social Solution Passage space Stevens's suggests Syncopations talk thing thought tion tradition University vanguard voice Whitman Wittgenstein women words writing