Shoji Hamada: master potter

Front Cover
Lund Humphries Pub. in association with Ditchling Museum, Sussex, 1998 - Crafts & Hobbies - 80 pages
0 Reviews
In the West, Shoji Hamada (1894-1978) is perhaps the best known pioneer artist-potter in modern Japan and one of the most important core members of the Mingei (Japanese Folk Crafts) movement. This book accompanies the first retrospective exhibition of his work in Britain since 1963 and is an essential contribution to the Hamada literature in English.Hamada is known for his collaboration with Bernard Leach in the early 1920s, which was regarded by many as the epitome of the meeting between East and West. Hamada received critical coverage by his reviewers as a potter of integrity who created work of 'sturdy strength', complemented by his skills as decorator and his use of calligraphy. Hamada spent years researching the best Western technical methods before crossing into the realm of natural glazes, using traditional methods where the spirit of the pot is the primary concern.This book reproduces twenty-two works from Japanese private collections: teabowls, teapots and vases displaying Hamada's characteristic brushwork, through to large braziers and the magnificent platters which show off his virtuosity with clay and glaze at its finest.

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

About the Contributors 4
7
Impressions of Mr Hamada
26
A Note on Glazes
73
Copyright

1 other sections not shown

Common terms and phrases

About the author (1998)

Timothy Wilcox, an independent curator, teaches at the University of Surrey and is a regular lecturer at the Cambridge International Summer School.

Bibliographic information