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achieve audience bar and Figure Beethoven beforehand choir and orchestra Choral Class circle clefs concertos conductor crescendo detail difficulty direction double mental process drive the engine ECOnOMY OF MEAnS elbow ensemble expression EXTRA JOINT fact feel fifth beat Figures 17 fingers forearm pivoting forte piano four-bar habit handbook Haydn Holding the stick idea important instance instrument leans forward left hand legato let the stick Line of Sight main beats mark mind necessary object of technique octaves orchestra and choir orchestral player passage perfectly loose performing pace perhaps pianoforte play players and singers practice preparation rehearsal responsive players Rest Position result rhythm right hand Rondo rule Scherzo second beat shown in Figure singer who leans slow soloist sometimes stick moves stick stop straight sub-division Symphony Technique of Conducting thing third beat thumb true to say usually violence of gesture violin watch wrist