Plays: one, Volume 1

Front Cover
Methuen Drama, Mar 11, 1993 - Drama - 212 pages
3 Reviews
Wedekind's expressionist plays influenced the whole course of modern drama



A moralist who wore the mask of an immoralist, Wedekind was the terror of the German bourgeoisie. His work was censored and the original Lulu play was not even published during his lifetime; Wedekind toned it down and adapted it to make two plays: Pandora's Box and Earth-Spirit. The version in this volume, Lulu: A Monster Tragedy, is based on the first manuscript, presenting the original sexually voracious heroine to a British audience for the first time. The volume also contains Spring Awakening, "a work of great compassion that still has a lot to teach us about the dangers of battening down adolescent sex…" (Guardian). The translation of Spring Awakening ("scrupulously faithful both to Wedekind's irony and his poetry" The Times) was commissioned by the National Theatre and that of Lulu: A Monster Tragedy ("the Bonds' version is sharper and funnier than its predecessors" Guardian) was toured nationally. Both plays are complemented by the translators' historically illuminating introductions.



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LibraryThing Review

User Review  - sanddancer - LibraryThing

This collection includes the play "Saved" which caused controversy when it was first performed due to a senseless crime that takes place. It remains one of the most shocking things that I've ever read, and sadly, it is still very much relevant to today's society. Read full review

Review: Plays 1: Saved / Early Morning / The Pope's Wedding

User Review  - Algernon - Goodreads

Consists of three early plays by Bond, from the 1960s: the satirical "Early Morning" and "The Pope's Wedding," as well as "Saved," the realistic working-class drama that established the playwright's ... Read full review

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About the author (1993)

This poet-playwright turned actor in order to produce the effect he wanted in his plays. Though as a young writer he associated himself with the naturalists, "Wedekind was not a consistent naturalist," says John Gassner (Treasury of the Theater); he was instead an original artist who was not apt to follow fashions". . . [and who] helped himself to much naturalistic detail to support his personal crusade for frankness about the elemental power of the sexual instinct.

Bond is a major British modern dramatist who many plays are performed, read and studied throughout the world.

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