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I return to this book time and time again for my own research and writing. Sedgwick so perfectly and eloquently encapsulates not only her specific ideas about the possibility of eroticizing (or even queering) male homosocial relationships, but she also provides the perfect methodological framework for doing queer readings in any discipline, including mine: musicology. Anyone interested in queer theory as a way of analyzing artistic works should begin with this book! 

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