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appear articulation ascending aspect Babbitt basic become Beethoven Benjamin Boretz chords coherence complex composers compositional concepts contemporary music context contrapuntal counterpoint creative derived determinate distinct duration dyads electronic music ensemble example fact function Goodman's harmonic hear hexachords ideas identity individual instruments interpretation interval invention ladder language meas melodic Milton Babbitt minor movement music theory musical entities musical structure musicians notion observation octave opera Orchestra particular passage perceived perception performance perhaps phase Philharmonic piano piece pitch pitch class playing polyphony possible precisely present problems progression qualities Quartet question registral rehearsal relation relevant retrograde rhythm rhythmic Schoenberg score seems segment sense Sessions's significant Sonata song sonic sonority sound specific Stravinsky string succession Symphony syntactical syntax Taneiev temporal tetrachords Theaetetus theory things timbral timbre tion tonal tonic total musical transposition trichord trobador tune's turning figure twelve-tone unique vibrato violin voices