Collective Licensing--past, Present and Future: Reports Presented at the Meeting of the International Association of Entertainment Lawyers, MIDEM 2002, Cannes |
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Contents
Preface and Acknowledgments Eric Lauvaux | 9 |
A SHORT HISTORY OF COLLECTIVE LICENSING | 18 |
An Overview of Collective Administration | 39 |
Copyright | |
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activities agreement concerning and/or the law antitrust antitrust restrictions regarding ASCAP assignment broadcast BUMA/STEMRA CISAC CMRRA collecting societies collective administration collective licensing compulsory administration concerning other voluntary copy copyright holder copyright owners described in 2.1 Digital Rights Management distribution droit express agreement extended administration GEMA Harry Fox Agency holder are implicated i.e. do rightowners IFPI Internet jurisdiction apply MCPS mechanical license mechanical rights monies collected music publishers Napster negotiate neighbouring rights obtain a mandate obtain the rights œuvres on-line opt-in opt-out organisation organization and/or performing rights societies phonogram phonogram producers phonorecord protection public performance right publisher's share radio reason of compulsory repertoire reproduction restricted acts rights by reason rights controlled rights described rights management ring tone license royalties SACEM simulcasting sister societies sound recordings specific tariff telephone music telephone ring tone television territory transmission types unidentified voluntary administration webcasting writer's share writers