Top Girls

Front Cover
Samuel French, Inc., 1982 - Drama - 112 pages
1 Review
Serious Comedy / Castin: 7f. with doubling / Ints.

Marlene has been promoted to managing director of a London employment agency and is celebrating. The symbolic luncheon is attended by women in legend or history who offer perspectives on maternity and ambition. In a time warp, these ladies are also her co workers, clients and relatives. Marlene, like her famous guests, has had to pay a price to ascend from proletarian roots to the executive suite: she has become, figuratively speaking, a male oppressor and even coaches female clients on adopting odious male traits. Marlene has also abandoned her illegitimate and dull witted daughter. Her emotional and sexual life has become as barren as Lady Macbeth's.

"A blistering yet sympathetic look at women who achieve success by adopting the worse traits of self made men.... Truly original." N.Y. Times.

"Very funny and provocative.... A mind lifting experience." N.Y. Post.

  

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Read this as part of my AS-Level work the only problem was that the switch was very rapid and just kept going back and forth also the ending is weird and bizarre it's not a cliffhanger but it doesn't really tell you anything or shows how the story ends.

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About the author (1982)

Born in London, 1938, Churchill had some early acclaim with radio plays like "The Ants" (1962), "not not not not not enough oxygen "(1971) and "Schreber's Nervous Illness "(1972). However, it was through contact with feminism that she developed the language and structures to carry the complexity of her ideas. "Top Girls "(1982), perhaps Churchill's best play, keenly predicted the rise of bourgeois 'post-feminism' in the Thatcherite 1980s, raising stimulating questions, notably in its tour de force opening where the stories of six women from history overlap, clash and connect over a restaurant meal. "Fen "(1983) dissected economic and sexual oppressions in the Fenlands; the Foucault-inspired "Softcops "(1984) considered the meanings of criminality and punishment; and "Serious Money" (1987) was a witty verse thriller about the City, substantially attended by its objects of attack. Churchill's witty, powerfully intelligent dialogue and her uniquely imaginative sense of structure saw her at the forefront of British playwriting in the 1980s and 1990s.

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