Interpreting Popular Music

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CUP Archive, 1995 - Chansons anglaises - Analyse et appréciation - 260 pages
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In this book David Brackett demonstrates that there is no one way of interpreting popular music but that different types of popular music use different types of rhetoric, refer to different arguments about musical complexity and familiarity and draw upon different senses of history and tradition. He crosses the disciplines of contemporary cultural studies and music theory to demonstrate how listeners form their evaluations of popular songs and how they come to attribute a rich variety of meanings to them. Issues such as authorship, reception, musical codes, and different modes of representing and describing music are explored in the context of recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello. In analyzing their music and lyrics. David Brackett shows how interpretations of songs develop in specific cultural and historical contexts.

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about halfway through and its quite a good read. Read full review

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Interpreting Popular Music. By David Brackett. pp. xiv + 260 ...
Interpreting Popular Music is structured through. four lengthy case-studies, circling around 'I'll be. seeing you' (as recorded by Bing Crosby and ... cgi/ reprint/ 77/ 4/ 658.pdf

JSTOR: Interpreting Popular Music
As is often the case with the best schol- arship, Interpreting Popular Music has sig- nificance beyond the area it directly ad- dresses, and Brackett makes ... sici?sici=0027-4380(199809)2%3A55%3A1%3C126%3AIPM%3E2.0.CO%3B2-4

Interpreting Popular Music / Reading Pop: Approaches to Textual ...
Interpreting Popular Music. David Brackett. 2000. Berkeley: University : doc/ 1P2-13129904.html

Interpreting Popular Music
David Brackett demonstrates that there is no one way of interpreting popular music but that different types of popular music use different types of rhetoric ... 97805214/ 73378/ description/ 9780521473378_description.htm

International Journal of Music Education
Interpreting popular music. Berkeley: University of California Press. Coyle, M. (2002). Hijacked hits and antic authenticity. In R. Beebe, D. Fulbrook, ... cgi/ reprint/ 24/ 2/ 159.pdf

Lawrence A. Wayte - Reading Pop: Approaches to Textual Analysis in ...
... the Double-Voiced Utterance," a version of which also appears in his recommended book Interpreting Popular Music (Cambridge: Cambridge University Press, ... journals/ notes/ v058/ 58.2wayte.html

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9/17: David Brackett, Interpreting Popular Music (Introduction and Afterword). Assignment #1 (song analysis) due 9/19. (5) 9/22: Brackett, chapter 3 ("When ... lcst/ syllabi/ 2003fall/ 201joyce.htm

JSTOR: Interpreting Popular Music
Bereits das Inhaltsverzeichnis von Interpreting popular music lafit auf ein Dilemma schliel3en. Wie bringt man Billie Holiday, Bing Crosby, Hank Williams, ... sici?sici=0075-2789(1999)44%3C219%3AIPM%3E2.0.CO%3B2-U

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About the author (1995)

David Brackett is Assistant Professor of Music at SUNY, Binghamton.

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