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The Cambridge companion to W.H. Auden

 By Stan Smith

Book overview

This volume brings together specially commissioned essays by some of the world's leading experts on the life and work of W. H. Auden, one of the major English-speaking poets of the twentieth century. The volume's contributors include a prize-winning poet, Auden's literary executor and editor, and his most recent, widely acclaimed biographer. It offers fresh perspectives on his work from new and established Auden critics, alongside specialists from such diverse fields as drama, ecological and travel studies. It provides scholars, students and general readers with a comprehensive and authoritative account of Auden's life and works in clear and accessible English. Besides providing authoritative accounts of the key moments and dominant themes of his poetic development, the Companion examines his language, style and formal innovation, his prose and critical writing and his ideas about sexuality, religion, psychoanalysis, politics, landscape, ecology, and globalisation. It also contains a comprehensive bibliography of writings about Auden.

Limited preview - 2004 - 261 pages - Literary Criticism


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The Cambridge Companion to wh Auden - Cambridge University Press
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wh Auden - Wikipedia, the free encyclopedia
(2004). The Cambridge Companion to wh Auden. Cambridge: Cambridge University Press. ISBN 0-521-82962-3. ^ Academy of American Poets. ...
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Nicholas Jenkins: other work on wh auden
"Auden in America", in Stan Smith, ed., The Cambridge Companion to wh Auden (Cambridge: Cambridge UP, 2005), 39-54. "Writing 'Without Roots': Auden, Eliot, ...
www.stanford.edu/ ~njenkins/ archives/ 10other_work_on_w_h_auden/ index.html

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Places mentioned in this book  Maps  KML

Berlin - Page xix
The Second World War ended with the fall of Berlin, followed by the atom-bombing of Japan. Labour Government elected in Britain. Death of Roosevelt. ...
more pages: xv 12 17 23 84 165 180 256
Oxford - Page 240
Other important collections can be found at the Harry Ransom Humanities Research Center, University of Texas, the Bodleian Library, Oxford, ...
more pages: xxi 18 61 66 67 82 107 115 120 228
Vienna - Page xxi
After delivering a talk in Vienna, died of heart attack in a small hotel in the Walfischgasse, close to the Staatsoper. ...
more pages: 8 24 61 67 234
Munich - Page 25
In England, where national insecurity lingered corrosively despite reassurances purchased at Munich in September, Auden's departure was bound to be ...
more pages: 7
Cambridge - Page 130
of the great malignant Cambridge ulcer That army intellectual Of every kind of liberal Smarmy with friendship but of all There are none falser. ...
more pages: xviii
London - Page 229
In England Auden's departure for America became a cause celebre: according to Louis MacNeice writing in 1941, London was 'full of silly rumours' about ...
more pages: xvi 42 76 84 91 156 233 238 253
Wigan - Page 104
it concludes that, for the inhabitants of northern industrial towns like Warrington and Wigan, this is not a white lie but 'a whacking big 'un'. ...
more pages: 74
Southampton - Page 25
On 19 January 1939, the Champlain left Southampton for New York, with Auden aboard. In England, where national insecurity lingered corrosively despite ...
Reykjavik - Page 74
Chapter xiv, 'Letter to Kristian Andreirsson', presents itself as the fulfilment of a promise made by Auden while in Reykjavik that he would, ...
more pages: 72
Paris - Page xxi
May Events in Paris. Soviet invasion of Czechoslovakia. Collected Longer Poems and Secondary Worlds published. City Without Walls published. ...
more pages: 21
Brussels - Page xxi
Nicholas Nabokov's Love's Labours Lost, with libretto by Auden and Kallman, performed in Brussels. Forewords and Afterwords, edited by Edward ...
Athens - Page xxi
Buried in the Kirch- stetten churchyard. Posthumous collection, Thank You, Fog published, edited by Edward Mendelson. Kallman died in Athens, ...
more pages: xx 23
Wolverhampton - Page 104
a bathetic rhyme tells us that (as with a trademark), his own heart has 'Stamped on /The view from Birmingham to Wolverhampton'. ...
more pages: 74
Venice - Page 136
be 'done' like Venice or abridged like Tolstoy, but stubbornly still insists upon being read or ignored: our handful of clients at least can rune.
more pages: xx 93
York - Page 9
not as an American but a New Yorker, though born in old York in Edwardian England - one 'whose dream images date him already'. ...
more pages: xiv 16 42
Moscow - Page 35
Whichever cause you adopt - the red cause of Moscow and materialism, or the Fascist cause of nationalist idealism, or whatever cause it may be - it is ...
more pages: 22
Zagreb - Page 12
'On the frontier at dawn getting down' was written in Zagreb in 1927, on what was then the furthest margin of the Eurocentric world. ...
Warrington - Page 104
it concludes that, for the inhabitants of northern industrial towns like Warrington and Wigan, this is not a white lie but 'a whacking big 'un'. ...
Jerusalem - Page 58
'Nones' is about the immediate aftermath of the Crucifixion, an event that occurs in the poem both in ancient Jerusalem and in Auden's Italian village ...
more pages: 193
Halifax - Page 131
The Faber Book of Aphorisms, edited with Louis Kronenberger, allots more entries to neglected masters of the genre such as Halifax and Lichtenberg ...
Yalta - Page 52
35 By 1948, in the wake of the partitioning at Yalta of the postwar world into US and Soviet 'spheres of influence', that ironic Hitlerian legacy was ...
Glasgow - Page 91
Each of the six verses is a single extremely extended sentence, exactly capturing the driving urgency of the journey from London to Glasgow and ...
Madrid - Page 214
Guillermo Agudelo Murguia and Juan Sebastian Agudelo from the Human Evolution Research Institute in Madrid not only cite his 'After Reading a Child's ...
Valencia - Page 19
Once in Valencia, however, he was cajoled into making futile propaganda broadcasts, and became dismayed by the Republicans' violence, harassment of ...
Stuttgart - Page xx
1961 Hans Werner Henze's Elegy for Young Lovers, libretto by Auden and Kallman, performed in Stuttgart. 1962 The Dyer's Hand published in USA. ...
Dover - Page 142
The setting's chalk cliffs, harbour and distant ships suggest Dover. As if the travellers had hit a trip wire on the bluffs overlooking the sea, ...
New Haven - Page 50
during a visit to New Haven of asking Owen Dodson, the young African-American poet, to breakfast in the dining room of the Taft Hotel in New Haven. ...
Prague - Page xviii
Preston - Page 154
Those people" - and his voice roared over Preston - "are worth a thousand of you."'4 It is likely that Auden's experience at Mecklenburgh Square ...
Barcelona - Page 35
true one'.16 The Second International Congress of Writers for the Defence of Culture met in Valencia, Madrid and Barcelona during the summer of 1937. ...
Rome - Page 51
Auden warned about a present age disturbingly like that of imperial Rome. The 'planned society, caesarism of thugs or bureaucracies, paideia, ...
New York - Page 1
The Times Literary Supplement's 'Letter from New York' after those events reported that Auden's words were now everywhere, reprinted in many major ...
more pages: 10 19 25 42 55 61 133 146 205 207
Brooklyn - Page 44
It oscillates between the local and the ideal, the particular and the general, between its actual setting in Brooklyn and the world of war and turmoil ...
more pages: 19 20 21 43 47 234
St Augustine - Page 190
a unique "existential" relation to God, and few since St Augustine have described this relation more profoundly than Kierkegaard'. ...
more pages: 108 122
Princeton - Page 94
dialogue between four distinct characters and was staged at Princeton in 1960, with Auden himself appearing on film to read the framing narrative. ...
Baltimore, Maryland - Page 29
However obscure the motives and appetites that brought Wallis Simpson of Baltimore, Maryland, into intimate relationship with Albert Edward Christian ...
Ann Arbor - Page 258
Meyer, Gerhart xv, 180 Michigan University, Ann Arbor xix Mid-Century Society 22 Middagh Street, 7 (Brooklyn Heights) 20, 236 Ne w Signatures 24 1 New ...

Popular passages

O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.Page 111
And I gave my heart to know wisdom, and to know madness and folly: I perceived that this also is vexation of spirit. For in much wisdom is much grief: and he that increaseth knowledge increaseth sorrow.Page 162
The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM...Page 11
You cannot tell people what to do, you can only tell them parables; and that is what art really is, particular stories of particular people and experiences, from which each according to his immediate and peculiar needs may draw his own conclusions.Page 183
... sink; the nations of today behave to each other worse than they ever did in the past, they cheat, rob, bully and bluff, make war without notice, and kill as many women and children as possible; whereas primitive tribes were at all events restrained by taboos. It is a humiliating outlook— though the greater the darkness, the brighter shine the little lights, reassuring one another, signalling: "Well, at all events, I'm still here. I don't like it very much, but how are you?Page 161
When we collaborate, I have to keep a sharp eye on him - or down flop the characters on their knees (see F.6 passim): another constant danger is that of choral interruptions by angelvoices. If Auden had his way, he would turn every play into a cross between grand opera and high mass.Page 8
A great many people dislike the idea of poetry as they dislike over-earnest people, because they imagine it is always worrying about the eternal verities. Those, in Mr Spender's words, who try to put poetry on a pedestal only succeed in putting it on the shelf. Poetry is no better and no worse than human nature; it is profound and shallow, sophisticated and naive, dull and witty, bawdy and chaste in turn.Page 97
We are, I know not how, double in ourselves, so that what we believe we disbelieve, and cannot rid ourselves of what we condemn.Page 162
My name on the title-page seems a pseudonym for someone else, someone talented but near the border of sanity, who might well, in a year or two, become a Nazi.Page 127
We are lived by powers we pretend to understand : They arrange our loves ; it is they who direct at the end The enemy bullet, the sickness, or even our hand. It is their to-morrow hangs over the earth of the living And all that we wish for our friends : but existence is believing We know for whom we mourn and who is grieving.Page 171