Acting from the ultimate consciousness

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Putnam, Feb 8, 1988 - Performing Arts - 267 pages
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Starting with Mr. Morris' contention that "ninety-five percent of our talent comes from the unconscious, " this book addresses that hidden reservoir of feelings and experiences. Through a study of the unconscious, the actor is led toward "the state at which the actor crosses the line between consciousness and the unconscious to reach and feed from this bottomless well of creativity."

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Contents

INTRODUCTION
15
THE ULTIMATE CONSCIOUSNESS
40
ENSEMBLE
90
Copyright

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