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Critical Essays of the Seventeenth Century: Volume II (1650-1685)
J. E. Spingarn
No preview available - 2004
Critical Essays of the Seventeenth Century: Volume I (1605-1650)
J. E. Spingarn
No preview available - 2004
Critical Essays of the Seventeenth Century..., Volume 1
Joel Elias Spingarn
No preview available - 2012
Aeneid ancient Aristotle Aulus Gellius Authors Bacon BEN JONSON call'd Cicero classical comedy conception Crit criticism diuine doth Dryden eloquence England English Epistle Essay euen euery Euripides excellent Fable fancy fitnesse France Francis Bacon French generall giue Greeke Gregory Smith hath haue Henry Hesiod Historian History Homer honour Horace humour Iliads imitation Invention Italian Jonson judgement Julius Scaliger King language Latin learned lesse letters literary loue Lucan matter meane meerely mind modern Muse naturall nature noble Petrarch philosophy phrase Plato Plautus Plutarch Poems Poesie poetic poetry Poets preface Prince prose quam Quintilian quod Reader reason rimes risum rules Rymer saith sayes Scaliger Sect selfe sense shew speake spirit stile style Tacitus taste themselues theory thereof things thought tongue Tragedy translation treatise Truth verse vertue Virgil vnder vnderstanding vpon words write
Page 195 - ... an inward prompting which now grew daily upon me, that by labour and intent study, (which I take to be my portion in this life,) joined with the strong propensity of nature, I might perhaps leave something so written to aftertimes as they should not willingly let it die.
Page xi - It is, moreover, evident from what has been said, that it is not the function of the poet to relate what has happened, but what may happen, — what is possible according to the law of probability or necessity.
Page 207 - TRAGEDY, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems ; therefore said by Aristotle to be of power, by raising pity and fear, or terror, to purge the mind of those and such like passions, that is, to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated.
Page 26 - Yet there happened in my time one noble speaker, who was full of gravity in his speaking. His language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech, but consisted of his own graces. His hearers could not cough, or look aside from him, without loss. He commanded where he spoke ; and had his judges angry and pleased at his devotion.
Page 197 - ... to inbreed and cherish in a great people the seeds of virtue and public civility, to allay the perturbations of the mind, and set the affections in right tune; to celebrate in glorious and lofty hymns the throne and equipage of God's almightiness, and what he works and what he suffers to be wrought with high providence in his church; to sing the victorious agonies of martyrs and saints, the deeds and triumphs of just and pious nations doing valiantly through faith against the enemies of Christ;...
Page xvi - To conclude of him; as he has given us the most correct plays, so in the precepts which he has laid down in his Discoveries, we have as many and profitable rules for perfecting the stage, as any wherewith the French can furnish us.
Page 20 - ... as Augustus said of Haterius. His wit was in his own power, would the rule of it had been so too. Many times he fell into those things, could not escape laughter : as when he said in the person of Caesar, one speaking to him,
Page lix - Unto the general disposition ; As when some one peculiar quality Doth so possess a man, that it doth draw All his affects, his spirits, and his powers, In their confluctions, all to run one way, This may be truly said to be a humour.
Page 2 - This grew speedily to an excess; for men began to hunt more after words than matter; and more after the choiceness of the phrase, and the round and clean composition of the sentence, and the sweet falling of the clauses, and the varying and illustration of their works with tropes and figures, than after the weight of matter, worth of subject, soundness of argument, life of invention, or depth of judgment.