Representation: Cultural Representations and Signifying Practices

Front Cover
Stuart Hall
SAGE, Apr 8, 1997 - Language Arts & Disciplines - 400 pages
9 Reviews
This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'.

Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.

  

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Review: Representation: Cultural Representations and Signifying Practices

User Review  - Fira Nursya'bani - Goodreads

Representation is the production of the meaning of the concepts in our minds through language. Read full review

Review: Representation: Cultural Representations and Signifying Practices

User Review  - Bianca - Goodreads

Interesting ideas on representation through mass communication, but reading this is 2013 makes me see the need for a major update. Read full review

Contents

THE POETICS AND THE POLITICS OF EXHIBITING
151
THE SPECTACLE OF THE OTHER Stuart Hall
223
THE SPECTACLE
225
REPRESENTATION
269
Chapters EXHIBITING MASCULINITY Sean Nixon
291
THE CASE OF SOAP OPERA
337
Copyright

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About the author (1997)

Stuart Hall was born and raised in Jamaica and arrived in Britain on a Rhodes scholarship to Oxford in 1950. In 1958, he left his PhD on Henry James to found the New Left Review, which did much to open a debate about immigration and the politics of identity. Along with Raymond Williams and Richard Hoggart he established the first Cultural Studies programme at a British university in Birmingham in 1964, bringing the study of popular culture into the understanding of political and social change.

After spending more than four decades as one of the UK’s leading public intellectuals, Hall retired from formal academic life in 1997 and since then has continued to devote himself to questions of representation, creativity and difference. He became the chair of two foundations, Iniva, the Institute of International Visual Arts, and Autograph ABP, which seeks to promote photographers from culturally diverse backgrounds, and championed the opening of Iniva’s new Rivington Place arts complex in east London in 2007.

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