An Introduction to Metaphysics (Google eBook)

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G. P. Putnam's sons, 1912 - Metaphysics - 92 pages
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Review: An Introduction to Metaphysics

User Review  - Matthew - Goodreads

Short and easy to read. Bergson's got a kind of European Taoism going here, although it's a little frustrating when he tell you that he can't talk about reality and then spends 60 pages talking about it. Read full review

Review: An Introduction to Metaphysics

User Review  - MashailGhammas - Goodreads

"With its signal distinction between 'intuition' and 'analysis' and its exploration of the different levels of Duration (Bergson's term for Heraclitean flux), An Introduction to Metaphysics has had a ... Read full review

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Page 7 - By intuition is meant the kind of intellectual sympathy by which one places oneself within an object in order to coincide with what is unique in it and consequently inexpressible.
Page 16 - No image can replace the intuition of duration, [but many diverse images, borrowed from very different orders of things, may, by the convergence of their action, direct consciousness to the precise point where there is a certain intuition to be seized.
Page 9 - If there exists any means of possessing a reality absolutely instead of knowing it relatively, of placing oneself within it instead of looking at it from outside points of view, of having the intuition instead of making the analysis: in short, of seizing it without any expression, translation, or symbolic representation— metaphysics is that means. Metaphysics, then, is the science which claims to dispense with symbols.
Page 17 - ... disposition — that precisely which it must adopt in order to appear to itself as it really is, without any veil. But, then, consciousness must at least consent to make the effort. For it will have been shown nothing: it will simply have been placed in the attitude it must take up in order to make the desired effort, and so come by itself to the intuition.
Page 90 - Any one of us, for instance, who has attempted literary composition knows that when the subject has been studied at length, the materials all collected, and the notes all made, something more is needed in order to set about the work of composition itself, and that is an often very painful effort to place ourselves directly at the heart of the subject, and to seek as deeply as possible an impulse, after which we need only let ourselves go. This impulse, once received, starts the mind on a path where...
Page 44 - ... there is no consciousness without memory, and no continuation of a state without the addition, to the present feeling, of the memory of past moments. It is this which constitutes duration. Inner duration is the continuous life of a memory which prolongs the past into the present...
Page 12 - This inner life may be compared to the unrolling of a coil, for there is no living being who does not feel himself coming gradually to the end of his role ; and to live is to grow old. But it may just as well be compared to a continual rolling up, like that of a thread on a ball, for our past follows us, it swells incessantly with the present that it picks up on its way; and consciousness means memory.
Page 1 - ... two profoundly different ways of knowing a thing. The first implies that we move round the object; the second that we enter into it. The first depends on the point of view at which we are placed and on the symbols by which we express ourselves. The second neither depends on a point of view nor relies on any symbol. The first kind of knowledge may be said to stop at the relative; the second, in those cases where it is possible, to attain the absolute.
Page 88 - ... obtained, of manipulating the concept profitably. At its origin, more than one of these concepts must have appeared obscure, not easily reconcilable with the concepts already admitted into science, and indeed very near the borderline of absurdity. This means that science does not proceed by an orderly dovetailing together of concepts predestined to fit each other exactly. True and fruitful ideas are so many close contacts with currents of reality, which do not necessarily converge on the same...
Page 8 - In its eternally unsatisfied desire to embrace the object around which it is compelled to turn, analysis multiplies without end the number of its points of view in order to complete its always incomplete representation, and ceaselessly varies its symbols that .it may perfect the always imperfect translation. It goes on, therefore, to infinity.

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