The Art of Encounter
Painter, sculptor, writer and philosopher Lee Ufan first came to prominence in the late 1960s as one of the major proponents of the Japanese avant-garde group Monoha. Japan's first contemporary art movement to gain international recognition, the Monoha school of thought rejected Western notions of representation, choosing to focus on the relationships of materials and perceptions rather than on expression or intervention. The movement's definitive goal was to embrace the world at large and encourage the fluid coexistence of numerous beings, concepts and experiences. Lee Ufan's formation in the philosophy department at Nihon University in Tokyo earned him a distinguished role as the movement's spokesman. His writing, presented here in English for the first time, was capable of expressing some of the artistic concepts of concern to artists in Japan during the late 60s. At that time, young Monoha artists raised some of the fundamental questions posed by contemporary artists everywhere: What does it mean to produce a work of art at the end of the twentieth century? What is the sense of art today?
30 pages matching sort in this book
Results 1-3 of 30
What people are saying - Write a review
We haven't found any reviews in the usual places.
Yohaku Emptiness 1999
On Infinity 1993
92 other sections not shown
abstract ambiguous Anish Kapoor appear Arte Povera artistic expression artwork Barnett Newman become body bring brush canvas closed color concept condition connected consciousness contemporary art context create criticism culture Daniel Buren dialogue elements empty space encounter event everyday everything exhibition existence externality feel Gerhard Richter hand human ideas identity ikebana images imagination infinite infinity interaction Japan Japanese Joseph Beuys kind Kobayashi Hideo Korea Lee Ufan limited Lisson Gallery living looking Malevich's Marcel Duchamp materials matter meaning mediation Minimal Art modern Mono-ha moving natural stone non-transparent object painter painting and sculpture physical pictorial surface possible present production qualities reality reason rejected relationship reproduction Richard Serra robots sculpture seen sense shadow Shan-Jen situation sort steel plate stimulating structure surrounding space things thinking thought Tokyo transcends translation transparent tree unknown viewer vision words writing Yves Klein