The Fluxus Reader
Wiley, Nov 18, 1998 - Art - 320 pages
The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus had become a laboratory of ideas and an arena for artistic experimentation in Europe, Asia and the United States. Described as 'the most radical and experimental art movement of the 1960s', Fluxus challenged conventional thinking on art and culture for over four decades. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms.
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Early Performance and Publishing
Hannah Higgins Fluxus Fortuna
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Alison Knowles Amsterdam Andersen audience avant-garde Ay-O Ben Vautier Berlin Beuys centre Christiansen Cologne concerts Copenhagen culture Dada Dick Higgins Dupuy Emily Harvey Emily Harvey Gallery Emmett Williams Eric Andersen exhibition Filliou Flux fLuXfEsT Fluxshoe Fluxus artists Fluxus performance Fluxus West G Brecht G Chiari G Hendricks G Maciunas George Brecht George Maciunas Gilbert and Lila Gosewitz H Flynt Hansen historical Ibid idea intermedia Jackson Mac Low John Cage Jon Hendricks Jones June Paik Kaprow Ken Friedman Knizak Koepcke Kosugi Kubota Lennon Lila Silverman LM Young M(Chieko)Shiomi Mac Low manifesto Miller Monte Young Moorman movement Museum nd Fluxus Neo-Dada NJ Paik notion objects Oldenbourg organised Patterson piece Rene Block Ridder Robert Filliou Saito Schmit Schneemann Sept Silverman Collection sound space Spoerri Theater things Vautier Vostell Wada Watts Wiesbaden Yoko YOno York