Counterpunch: making type in the sixteenth century, designing typefaces now

Front Cover
Hyphen, 1996 - Design - 191 pages
0 Reviews
Counterpunch is both an explanation of the 16th-century method of cutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design. Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generously illustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches.

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Preface acknowledgements
9
Fundamental factors
11
Why this book?
13
Copyright

34 other sections not shown

Common terms and phrases

About the author (1996)

Smeijers is a Dutch type designer who specializes in typographic research and development for product manufacturers.

Bibliographic information