Women's Writing in Italy, 1400–1650

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JHU Press, May 2, 2008 - History - 464 pages
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This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline.

Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.

  

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Contents

CHAPTER ONE ORIGINS 14001500
1
CHAPTER TWO TRANSLATION 14901550
37
CHAPTER THREE DIFFUSION 15401560
80
CHAPTER FOUR INTERMEZZO 15601580
121
CHAPTER FIVE AFFIRMATION 15801620
131
CHAPTER SIX BACKLASH 15901650
166
CODA
228
Appendix A Published Writings by Italian Women Fifteenth to Seventeenth Centuries
235
Appendix B Dedications of Published Works by Women
247
Notes
255
Bibliography
377
Index
447
Copyright

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About the author (2008)

Virginia Cox is a professor of Italian at New York University and author of The Renaissance Dialogue: Literary Dialogue in Its Social and Political Contexts, Castiglione to Galileo and coeditor of The Rhetoric of Cicero in Its Medieval and Early Renaissance Commentary Tradition. She is also editor and translator of Moderata Fonte, The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men, and coeditor and translator of Maddalena Campiglia, Flori, A Pastoral Drama.