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Preface and Acknowledgments
10 other sections not shown
acid bath acrylic applied aquatint aquatint ground areas artist Betty Sellars bevel blade blankets blotters brayer brush burin burnishing burrs Chemical & Ink clean coated color copper crayons developed drawing drypoint edge edition engraving etching press exposed fabric ferric chloride finished print flat frame Gallery gesso glue gouges Graphic Chemical gum arabic hand hard ground imagery intaglio plate intaglio printmaking Kreneck lift lines linoleum lithographic lithography press lithotine mat board material metal plate method mezzotint moist monoprints monotype Museum Nancy Hoffman Gallery nitric acid oil-based inks paint paper photo emulsion plastic Plexiglas press bed printing surface printmaking registration relief block relief print remove roll roller Ron Pokrasso rosin Santa Fe screen filler screen-printing shapes sheet soft ground solution solvent Speedball sponge squeegee stencil stone studio tape techniques texture thin tones transfer tusche University of Tulsa wash water-based inks wipe wood woodcut