New Essays on Poe's Major Tales
In his introduction to New Essays on Poe's Major Tales, Kenneth Silverman sets forth Poe's theory of the tale, and examines recurrent motifs in his fiction. The essays that follow present a variety of critical approaches and illuminate different facets of Poe's complex imagination, concentrating on such famous tales as "The Cask of Amontillado," "The Fall of the House of Usher," "The Black Cat" and "The Murders in the Rue Morgue." In interpreting one or a few of Poe's classic tales, the critics also illuminate such broader issues as his depiction of women, his theory of knowledge, his understanding of perversity, his relation to popular culture, and his preoccupation with death.
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Notes on Contributors
aesthetic ambiguous American artist Auguste Dupin beautiful beloved Black Cat body called Cask of Amontillado cellar character confession corpse crime critical cultural dead death desire detective fiction Dupin earthly Edgar Allan Poe effect Eleonora Eliza Poe eyes Fall fear feelings female fetish Fortunato Haunted Palace House of Usher human images imagination interpretation killer knew letter Library of America Ligeia Lippard literary literature living Mabbott Madeline Madeline's madness Marie Roget Mary's Masons mental mind Montresor moral order murder Mystery of Marie narrative narrator narrator's never newspaper novel numbers Oblong Box pain passion perverse strategy plot Poe's Fiction poems poetry popular readers reading reality relation reveals revenge Roderick Usher Rowena Rue Morgue scene seems sensational sexual solutions soul story suggest tale tale's Tell-Tale Heart tells Thomas Ollive Mabbott truth University Press vault victim wall wife wine Wittgenstein woman women word writing York