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Two Categories of Perception or Expression?
Three The Classical Image and Renaissance Pedagogy
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aesthetic analogies ancients anti-Ciceronian anticlassical antiquity appear Arnold Hauser art and literature art historical artists attempts baroque art baroque style Cicero Ciceronian Cinquecento concepts concettisti conscious contemporary contrast Counter-Reformation Crashaw Croll cultural decorum defined Donne E.H. Gombrich elements elocutio emphasis epic Erwin Panofsky exploitation expression frequently genre Hauser heroic High Renaissance historians humanist idea ideal imitation individual influence intellectual invention Italian John Donne late Renaissance Latin learning logical mannerism Marino medieval and Renaissance metaphors metaphysical poetry Milton models modern modes nature neoclassical ornament pagan painter painting paradoxes passion period styles philosophical poem poetic poets principles prose Quintilian regarded Renais Renaissance art Renaissance classicism Rene Wellek rhetorical Richard Crashaw sance schema scholastic Segel Seicento Senecan sense sensibility seventeenth century social spiritual structure stylistic Sypher Tasso taste techniques tensions theorists theory tion Torquato Tasso tradition unity variety verbal verisimilitude vernacular visual arts Wolfflin writers