The blood poets: a cinema of savagery 1958-1999
Increasingly, society questions the connection between violence in entertainment and violence in life. Moralists and censors would reply resoundingly that media violence and social violence are directly linked, but others ask the deeper question: Why do people feel the need to create images of violence, and why do audiences continually watch them? In this thought-provoking and insightful study of American violent cinema, author Jake Horsley attempts to answer these questions by tying together the multiple disciplines of psychology, criminology, censorship, and anthropology. Horsley divides the forty years of his study into two volumes: American Chaos: From Touch of Evil to The Terminator, and Millennial Blues: From Apocalypse Now to The Matrix. These volumes aim to provide both a critical overview of the films themselves and a cultural study of the social and psychological factors relating to the demand for screen violence. By doing so, Horsley raises a new dialogue between scholars and movie buffs to examine the need to portray and the need to watch violent films.
46 pages matching screen in this book
Results 1-3 of 46
What people are saying - Write a review
We haven't found any reviews in the usual places.
Images into Consciousness 1963 and Beyond
Auteur and Industry The Individual
The Perversities of Roman Polanski
10 other sections not shown
actors actually alien American anti-hero artist assassination audience basic Baxter become Blade Runner blood Bonnie and Clyde brutality Chainsaw characters cinema comedy Coppola Corleone course crime Cronenberg dead death demons devil director Dirty Harry Don Vito dream Eastwood evil eyes fact fantasy feel film's filmmakers finally Fistful of Dollars genre gives Godfather hell hero Hitchcock Hollywood horror film horror movie human idea imagine irony killer kind Kubrick least less living look Manson McCabe Mean Streets Michael monster moral murder nasty Natural Born Killers nature never nightmare obsessed Palma paranoia Pauline Kael Peckinpah perhaps perverse played plot Polanski Psycho Quinlan Romero Rosemary's Baby scene sci-fi Scorsese Scorsese's screen seems sense sexual shot simply soul Strangelove Straw Dogs takes Taxi Driver Texas Chainsaw Massacre there's thing Travis Travis's victim video nasty Videodrome villain violence vision wholly Wild Bunch zombies