From Antz To Titanic: Reinventing Film Analysis
Everybody analyses films. Ordinary viewers, chatting on the way home afterwards. Reviewers, telling us just enough to tempt or put off. Critics, ‘situating’ films for us. Moralists, hunting for the (harmful) message. So what exactly is it that film academics do that’s different?Martin Barker and Thomas Austin provide a jargon-free, accessible and student-friendly introduction to film analysis. They begin with a discussion about audience and a detailed case-study on four conflicting analyses of Capra’s It’s A Wonderful Life. The authors examine a range of popular Hollywood films in a variety of genres, including Titanic, Deep Impact, Sleepless in Seattle, The Lion King, Starship Troopers and The Usual Suspects, and provide vivid demonstrations of what can and can’t be achieved with close textual analysis. The book ends by proposing a list of measures for assessing the adequacy of film analyses: measures intended to lay the basis of a way of doing film analysis which goes beyond theoretically-predetermined and often obscurantist assertions.Explicitly rejecting much of the theoretical baggage that dogs contemporary film analysis, Barker and Austin strip the subject down to its bare essentials. The result is a provocative and timely reexamination of many of the basic tenets in film theory and analysis.
What people are saying - Write a review
We haven't found any reviews in the usual places.
with Thomas Austin
Showing That It Is What It Is
2 other sections not shown
Annie Antz approach argue Bala become boat Bordwell Bordwell's Bugs camera camerawork Carmen characters cinema claims close-up cognitive comedy cultural David Bordwell death Deep Impact disaster emotional example father feel film analysis film noir film's filmic genre George Girgus Heinlein Hollywood hyenas IAWL idea ideological implied audience Jack Jenny Jenny's Johnny Jonah Judge Dredd Keaton Keyser Soze kind Kint Kint's Kujan Lion King London look meaning motives movie Muphasa narration narrative Paul Verhoeven play Poague position questions Rafiki reader recognise responses role romance Rose Rose's s/he Sam's Scar scene screen seen sense ship shot Simba Sleepless in Seattle Slow dissolve song sound special effects star Starship Troopers Steven Spielberg story talk tells things tion Titanic turns understand University Press Usual Suspects viewer voice-over watcher watching woman women Zooming