Shakespeare's Caliban: A Cultural History

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Cambridge University Press, May 28, 1993 - Drama - 290 pages
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Among Shakespeare's numerous stage characters, probably none has been so variously interpreted as the 'savage and deformed slave' Caliban in The Tempest. For nearly four centuries, widely diverse writers and artists from around the world have found the rebellious monster an intriguing and useful signifier. He has been portrayed in the theatre and in literary criticism as - among other things - a fish, a tortoise, the missing link, an American Indian, and an African slave. He has also appeared extensively and diversely in poems by Browning, Auden, and Brathwaite among others, and in illustrations by Hogarth, Fuseli, Walter Crane, and other major artists. In the twentieth century, he has been widely adopted as a cultural icon, especially in the Caribbean, Latin America, and Africa: first as a symbol of imperialist North Americans, more recently as an emblem of colonised native populations. Shakespeare's Caliban looks first at the historical, etymological, literary, and folklore contexts in which Shakespeare created Caliban. The authors weigh the plausible intellectual influences of early Jacobean England and reach a tentative conclusion about what Shakespeare may have had in mind. The rest (and far larger part) of the book traces Caliban's evolution from his first appearance in 1611 to the present, with chapters on the major artistic genres in which Caliban has been interpreted, appropriated, and adapted: criticism, stage, painting, poetry, film, and sociopolitical literature. Shakespeare's Caliban relates the monster's changing incarnations to the cultural and intellectual forces that allowed him to reflect major trends - including romanticism, Darwinism, the late nineteenth-century Anglo-American rapproachment, and the Third World liberation movements after World War II.
  

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Contents

Calibans debut
9
Historical contexts
23
Literary contexts
56
Literary criticism
89
The American school
118
Colonial metaphors
144
Stage history
172
Screen history
199
Artists renditions
215
Modern poetic invocations
252
Calibans odyssey
273
Index
285
Copyright

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About the author (1993)

Alden T. Vaughan, Professor Emeritus of History at Columbia University is the author or editor of numerous books, including The Puritan Tradition in America, 1620-1730, NewEngland's Prospect, and Puritans among the Indians.

Virginia Mason Vaughan is Professor of English at Clark University in Worcester, Massachusetts.

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