Shakespeare and the Idea of the PlayOn the changing relationship between actor and audience. |
Contents
The Tyranny of the Audience | 31 |
CLASSICAL | 43 |
THE WORLD AND THE STAGE | 64 |
Copyright | |
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action actors and audience Antony appears associated attitude become Berowne Bolingbroke characters Claudius comedy contemporaries contrived Coriolanus counterfeit crown death deceit disguise dissembler dramatists dream Duke E. K. Chambers edited Elizabethan English extra-dramatic address fact Falstaff fool Hamlet Henry Henry IV Henry VI Heywood Ibid idea illusion and reality illusory imitation interlude Johan John John Heywood Jonson King Lear later London Lord Love's Labour's Lost Lyndsay Macbeth Malone Society Reprints Mankind masque Measure For Measure mediaeval tradition mock mystery nature pageant performance Pericles Pistol Plautine Plautus play image play metaphor play world Player King playlike plot present pretend prince prologue Queen relationship of actors Richard Richard III ritual rôle secular seems self-contained sense shadow Shakespeare Shrew sixteenth century Spanish Tragedy spectators speech stage symbol Tempest theatre audience thou Thrie Estaits Towneley Troilus and Cressida Vice W. W. Greg Winter's Tale words